History of the Gothic: Gothic Literature 1825-1914
(eBook)

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Published
University of Wales Press, 2009.
Format
eBook
ISBN
9781783163892
Status
Available Online

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0m 0s
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Jarlath Killeen., & Jarlath Killeen|AUTHOR. (2009). History of the Gothic: Gothic Literature 1825-1914 . University of Wales Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Jarlath Killeen and Jarlath Killeen|AUTHOR. 2009. History of the Gothic: Gothic Literature 1825-1914. University of Wales Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Jarlath Killeen and Jarlath Killeen|AUTHOR. History of the Gothic: Gothic Literature 1825-1914 University of Wales Press, 2009.

MLA Citation, 9th Edition (style guide)

Jarlath Killeen, and Jarlath Killeen|AUTHOR. History of the Gothic: Gothic Literature 1825-1914 University of Wales Press, 2009.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID105ee23f-f9f6-1fc7-47d1-6d8d8ac57f0d-eng
Full titlehistory of the gothic gothic literature 1825 1914
Authorkilleen jarlath
Grouping Categorybook
Last Update2024-10-05 14:50:09PM
Last Indexed2024-10-12 03:11:04AM

Book Cover Information

Image Sourcehoopla
First LoadedOct 7, 2024
Last UsedOct 7, 2024

Hoopla Extract Information

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    [synopsis] => This volume in this exciting new series provides a detailed yet accessible study of Gothic literature in the nineteenth century. It examines how themes and trends associated with the early Gothic novels were diffused widely in many different genres in the Victorian period, including the ghost story, the detective story and the adventure story.

It looks in particular how the Gothic attempted to resolve the psychological and theological problems thrown up the modernisation and secularisation of British society. The author argues that the fetishized figure of the child came to stand for what many believed was being lost by the headlong rush into a technological and industrial future. The relationship between the child and horror is examined, and the book demonstrates that far from a simple rejection or acceptance of secularisation, the Gothic attempts to articulate an entirely different way of being modern.
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