InExActArt - The Autopoietic Theatre Of Augusto Boal: A Handbook Of Theatre Of The Oppressed Practice
(eBook)

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Published
Ibidem Press, 2014.
Format
eBook
ISBN
9783838264233
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Birgit Fritz., & Birgit Fritz|AUTHOR. (2014). InExActArt - The Autopoietic Theatre Of Augusto Boal: A Handbook Of Theatre Of The Oppressed Practice . Ibidem Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Birgit Fritz and Birgit Fritz|AUTHOR. 2014. InExActArt - The Autopoietic Theatre Of Augusto Boal: A Handbook Of Theatre Of The Oppressed Practice. Ibidem Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Birgit Fritz and Birgit Fritz|AUTHOR. InExActArt - The Autopoietic Theatre Of Augusto Boal: A Handbook Of Theatre Of The Oppressed Practice Ibidem Press, 2014.

MLA Citation, 9th Edition (style guide)

Birgit Fritz, and Birgit Fritz|AUTHOR. InExActArt - The Autopoietic Theatre Of Augusto Boal: A Handbook Of Theatre Of The Oppressed Practice Ibidem Press, 2014.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID5f0486a6-b93d-9796-4c55-4c726c83ed49-eng
Full titleinexactart the autopoietic theatre of augusto boal a handbook of theatre of the oppressed practice
Authorfritz birgit
Grouping Categorybook
Last Update2024-10-05 14:50:09PM
Last Indexed2024-10-05 18:25:05PM

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    [synopsis] => This handbook not only provides a very wide-ranging introduction and orientation to the world of the Theatre of the Oppressed, but Birgit Fritz also presents concrete and practical assistance for structuring basic workshops in process-oriented theatre work and in developing Forum Theatre plays. Birgit Fritz explores the working principles of emancipatory theatre work and somatic learning in depth. She gives numerous examples of the work and life of theatre groups and reveals fascinating possibilities of how theatre for social change can be successfully linked with social and political commitment, so that artistic process can bring about cross-generational collaboration, develop social democracy, and operate as an active force for peace.
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